A Day in Dwarka

This story is dedicated to Dwarka — a place where one becomes aware of the finiteness of the human form and gradually stops worrying about it. It is a story of movement, repetition, circulation, infinity, vision and observation; of fragmentation, and of the absence of both beginning and end. One more reminder that all things must pass.

This project reflects on how we see and how we photograph: what we choose to include in the frame, and how many variations of reality and framing exist. In photographing reality, there are infinite possibilities, and even photographs themselves can be reframed and reinterpreted. I photographed Dwarka with a 6×6 camera and worked with high-resolution scans that I later cropped, guiding the eye toward different subjects. This, too, is part of how we see.

This series is also available as an artist book